As we wind down 2018, we look back to the past twelve months of releases and think about the strongest of the pack, the ones who really made an impact and will be listened to again and again years from now down the road. We picked our Top 10 albums of 2018, and so far, we’ve revealed #5-10. The remaining four will be revealed over the course of this week, but let’s recap the ones that have been named so far.
10. The Glitch Mob – See Without Eyes
Spanning eleven tracks, See Without Eyes exposes fans to supremely classic Glitch Mob vibes, courtesy of Boreta, Ooah and edIT. Not counting the singles that have already been released, the album is full of welcome surprises and familiar soundscapes. While it’s not an entirely different or updated Glitch Mob from the one we left in 2014, fans will no doubt be happy to add another batch of releases to their collection.
9. Rezz – Certain Kind Of Magic
I’d say that Certain Kind Of Magic feels more cohesive and put together than her first album, and that’s only to be expected after receiving feedback and working harder than ever before. Having 13 and Kotek come back for the second album also gives it a sense of continuity that’s rather interesting, and additions of collaboration with not one, but two mystery producers – 1788-L and Deathpact – gives this album an intense air of mystery, as well.
We’ve already spouted on about how much we love “H E X,” as has much of the EDM community as large, but other standouts on the album are “Teleportal” with Kotek and “Toxin” with Fytch. The latter actually happens to be our second favorite track on the whole album, as the combination of Fytch and Rezz is truly something of dreams. And since Rezz never plays out the drop in “Sirens Over Paris,” I feel like this is long overdue anyhow.
8. Golden Features – SECT
SECT is a wholly cohesive project, one that works well with each track by itself, but even better as a whole. Each track, from the dark “Medicate” to the comparatively brighter “Falling Out,” works in tandem with each other, building up a foundation upon which the whole project can securely rest.
7. G Jones – The Ineffable Truth
To say that an album is a journey is often a crutch, a buzzword that we use when we want to say that tracks flow into each other and maybe tell a story. Or perhaps it’s a way to connect with readers using a word they easily understand to offload some of the burden on us writers. But in the case of The Ineffable Truth, it’s no exaggeration or crutch. In a lot of ways, this is probably the most important bass music album of the decade. There are no crowd pleasers, no features, just pure unadulterated sound and creativity.
6. Getter – Visceral
Where dubstep and riddim tend to play purely for the club, Visceral is a collection of songs that tell stories, stories of heartbreak, rejection, unhealthy relationships, struggles, and more. They’re not concepts new to music by any means, but Getter is certainly presenting them in a new context. He teams up with a number of featured artists on the album – Audio Opera, Allan Kingdom, nothing,nowhere., Sweetsound, Midoca, Name UL, Njomza, Party Nails and Joji, to name a few – in order to properly convey his thoughts and the result is nothing short of spectacular.
5. Zhu – RINGOS DESERT
It’s hard to conceive a way in which ZHU could have created a more diverse and immersive experience within his own sound than what he did on this album. Each song is unmistakably ZHU, a result of a carefully crafted brand and soundscape that he’s developed ever since he dropped his remix of “Moves Like Ms. Jackson” four years ago. New to his sound are greater risks, more varied instrumentation, and a clearer sense of courage in the sound he chooses to present.