Sound verify: Zach Velmer and Jeffrey Lerner from STS9 talk about the band’s previous, current, and future

Sound Tribe Sector 9, extra generally referred to as STS9, started in Atlanta in 1996 in the midst of the rise of the mid-1990s “jam band” scene, however since their inception, there hasn’t been a class that absolutely encapsulated simply what the band was about. And though mixing a reside band sound with digital components has develop into more and more widespread on the competition scene, there nonetheless isn’t a band that’s fairly like STS9. When assembly up with the band I requested them about how they felt about the rise in having extra reside components being launched into EDM and in the event that they felt like they have been a giant a part of inspiring this wave.

“It seems as such.” replies a laughing Zach. “We feel grateful. A lot of our contemporaries from Pretty Lights, Bassnectar, The Glitch Mob and I think the list kind of goes on [have spoken about the inspiration STS9 had on their sound]. There’s a new artist every day saying kind of ’We do this because our first kind of gateway into this kind of world was STS9.’ So you know we feel very grateful and blessed to be a part of a movement.”

Movement, assortment, tribe. These are the phrases which can be used to explain the band. Throughout our interview they usually discuss with themselves as being a smaller half of a bigger image. The imaginative and prescient of STS9 and the method they see themselves and communicate about their place in the world round them could be very humble. Part of what has made this band virtually unimaginable to categorize and positively unimaginable to copy is the band’s core perception of by no means categorizing themselves. While getting ready for my interview, I got here throughout the very first STS9 interview revealed. The interview (additionally with Zach and Jeffrey) was performed by Bob Wiely after a present on Feb 26, 2000 and revealed by Surrender To The Flow journal.  

Bob Wiely: How do you’re feeling about the time period “Organic Techno” getting used to explain your music?

Zach: I don’t suppose something ought to actually be labeled. I feel it’s a great time period in the proven fact that its not what we got down to do… however its kinda what has cosmically occurred simply via taking part in music and listening to the connection of it. I assume kinda natural techno, however I don’t know if I’d use techno.

Jeffrey: It’s not dangerous, it doesn’t harm me. It’s a lot extra then that… that’s simply a component of it.

Bob Wiely: What would you label it?

Jeffrey: That’s laborious, it’s totally different each night time. Its true fusion I assume, with out too many tags. It’s simply no matter comes.

Zach: I’ve a tough time describing it. How would you describe it? It’s virtually like classical music in the proven fact that we now have songs which can be 35 minutes lengthy, like loads of different “jam bands” and the proven fact that they don’t seem to be a lot jams however actions, perceive? For instance tonight we opened up with the second a part of the final music. Everything is actually interchangeable, like our music frequency. Labeling simply turns me off. We learn articles and individuals say simply that “fusion, techno, blah blah blah¦” and we’ve not but give you what it’s and may be as an alternative of utilizing different genres not that we’re creating our personal it’s like it’s a must to go see it as an alternative of simply studying about it. We’re nonetheless engaged on our label I assume.

During our interview, as we started talking about how their sound has been perceived and labeled over the years. Zach shared what he felt was the finest description of their music ever informed to him in an interview, “We still use this one to this day, if we’re talking retro. One of my favorite quotes from an interview was when an interviewer tried to explain [our sound] ‘Going to see STS9 is like driving down the road at a hundred miles an hour with your hair caught on fire.’ I can get that.”

And though digital music followers (maybe greater than followers of some other model of music) take pleasure in categorizing the music they’re listening too and forming their very own communities based mostly on which of the genres they pay attention too, STS9 appears to be the exception to the rule.

Music isn’t the solely medium wherein STS9 has pushed the use of the obtainable know-how because it has developed over the years. When it involves the web, the idea of social media and utilizing know-how to work together with their followers and assist construct connections amongst them STS9 was additionally method forward of their time. Way earlier than artist started utilizing Facebook teams to create interactive fan golf equipment and even earlier than MyArea was based in 2003, STS9 used their web site as a primitive social media platform. As early as 2000, STS9 followers may go to the band’s official webpage to attach with the tribe in a forum-like part of the webpage known as: the Lowdown.

During my interview with Zach and Jeffrey, I set the intention of actually reminding the band about the early days, get an concept of how they’ve modified all through the years, and attempt to get a sneak-peak into how they could evolve in the future. Looking at the early editions of their web site to now, certainly one of the greatest modifications appears to have are available in the method the band presents itself to the world. As forward of their time the band was, first look of STS9’s web site presents loads of info and concepts which can be fascinating and attention-grabbing, however in the end distracting from the web site’s position in selling the band’s music.

Early on in the band’s profession, STS9 was steadfast in presenting themselves as a creative collective at the forefront of musical experimentation. The Mayan tradition performed a heavy half in the creation of this ambiance. According to early editions of STS9’s web site, the historic Mayans thrived in the ninth sector of 13 in the center of the Central American rain forest. While Europe was in the Dark Ages, the Mayan tradition mapped the stars and calibrated harmonic frequencies to converge the Earth towards resonance. And it was this concept of harmonic frequencies that impressed Sound Tribe Sector 9.

A go to to the band’s official web site in the present day is a really totally different expertise than it was in 2000. There aren’t any references to the Mayan tradition and maybe extra sadly, the Lowdown has been eliminated as properly. When I requested Zach and Jeffrey about the hyperlinks on their outdated web site and if the Mayan’s nonetheless had a presence of their life and music, Zach and Jeffrey have been each fast  to leap in on the considerably sensitive topic with Zach saying “I imply yeah,” as Jeffrey concurrently mentioned “In its own way.” Zach and Jeffrey each took turns sharing their ideas on the actual affect the Mayan philosophy had on the band, and why it has taken a smaller position as time has handed. Jeffrey mentioned, “I think it became less cultural and more planetary. [In the beginning] it was kind of our gateway into just trying to understand [our place in the world]. That influence was a part of our youth, and expression, and is still part of us. Just not as overt.”

Zach provides, “Yeah, I feel it [the Mayan influences to their site and music] type of originated due to the lunar calendar. The idea, not even actually an idea, however the feeling [of the Mayan culture] was that concept of being extra harmonious with planet Earth. And simply to develop on what Jeffrey was saying, at the moment in our youth we have been type of bombarded with ‘time is money.’ From administration to document labels, [Every conversation was] ‘money, money, money.’ And the idea of harmonious ‘time is art’ and ‘use your time just to make art, be creative, and be authentic in that way.’ I feel that that was the greatest takeaway and a few of the resonance that we had with that entire factor.”

Jeffrey persevering with his thought provides, “And being launched to Jose Arguelles [founder of Planet Art Network and the Foundation for the Law of Time], attending to know him, and to have his samples in Artifact. So to have that connection was nice … Honest reply, it [the Mayan influences] turned such a giant factor about what individuals are speaking about. I feel for us it turned ‘Time is Art’ and that was the huge takeaway. We spend our time creating. And [while that] was a giant inspiration, to be so labeled and with a cultural factor… I feel we simply type of took that to a extra private stage. We need individuals speaking about the music, and if you’re an unique genuine band it’s laborious for individuals to know.” In order to make clear issues, the band has made a concerted effort to ensure the music is the essential focus: of the official web site, the reside reveals, and even the dialog. “We promote the Tribe as art – that’s the vision,” Zach says. “We’re more inspired than we’ve ever been. It’s like a river, and when it flow’s it really flows. And right now we’re flowing.”

One factor hasn’t modified over the band’s 20 years of creating and performing music, and that’s the emphasis on not solely creating artwork however creating artwork as a household. As a tribe. The band held their first ever competition, Wave Spell Live, in the small northern California city of Belden final August. During a solo DJ session, Zach introduced a really particular shock visitor artist to the stage. His daughter, Isis.

When requested if she can be becoming a member of them in the future Zach gave the enthusiastic reply, “Absolutely! Yeah. We have a lot of plans. A lot of plans. A lot of fun things. My daughter is fierce. It was actually her idea. I’m just the vessel for her right. To support her in her aspirations. It’s insane. She’s six. And the reason she didn’t come down [for the Los Angeles show] is she’s auditioning for Alice in Wonderland. She has a voice lesson two times a week, and then she’s in this program called All About Theater and she wants to be the Queen of Hearts. That’s her goal. She’s fierce. We’re trying to raise a strong child.”

In spite of the thrilling prospects on bringing his little woman into the STS9 fold, Zach isn’t unaware of the affect competition tradition has and foresees a time when her presence in the scene in all probability gained’t all the time be as harmless as leaping onstage and jamming together with her father’s band. During the interview, Zach was laughing and started to cowl his eyes along with his fingers as if to dam out a future psychological picture when saying “She’s gonna be the 18-year-old at the festivals. Naked, hula hooping and someone’s going to be saying ‘she has a father’. And I’ll have to say ‘that’s me.’” And whereas Zach is probably not wanting ahead to that exact situation, the essential factor I took away from the anecdote was that STS9 plans to stay round, creating artwork, and sharing the imaginative and prescient of the tribe for a few years to return.

Spread the love