ColourPop Whatever Eyeshadow Palette Review & Swatches

Whatever

Colour Pop Whatever 12-Pan Pressed Powder Shadow Palette is new release for fall, which features seven matte eyeshadows, one cream eyeshadow, three shimmer eyeshadows, and one glitter (which isn’t intended to be used on the eyes). The mattes performed well; I feel like ColourPop has tweaked their matte formula slightly, as they’ve been feeling a little more velvety and smoother overall in the last palettes I’ve tried from them.

The three traditional shimmer shades were good, though TTYN seemed to have a little too much slip but was quite workable. Tardy, the Super Shock Shadow, should work fine for anyone who likes more of a topper/layering shade, as its big downside was lack of coverage.  Overall, the eyeshadows performed consistently with their formulas; they were pigmented, blendable, and long-wearing.

Tardy

Tardy is a light, yellow gold with moderate, warm undertones and a sparkling sheen. It had more medium coverage that was buildable to semi-opaque coverage, but it worked better as a wash of color all over the lid, as a high-shine brow bone highlight, or to brighten the inner tear duct area.

The consistency was creamy, smooth, and thin, so it felt more powder-like–as the formula does–when applied to the skin but initially felt more emollient, and you could press on the pan and see the product move. This shade stayed on well for 10 hours without creasing or having fallout on me.

Colour Pop Pink Slip Pressed Powder Shadow

Colour Pop Pink Slip Pressed Powder ShadowColour Pop Pink Slip Pressed Powder Shadow

Pink Slip

Pink Slip is a muted, light brown with warmer, yellower undertones paired with a matte finish. The texture felt soft, velvety, and smooth to the touch, which resulted in even, blendable application. It had opaque color payoff that lasted beautifully for eight hours before fading a bit.

Colour Pop Maybe Later Pressed Powder Shadow

Colour Pop Maybe Later Pressed Powder ShadowColour Pop Maybe Later Pressed Powder Shadow

Maybe Later

Maybe Later is a brighter pop of reddish-orange with warm undertones and a matte finish. The eyeshadow had good pigmentation but needed a half of a layer more on top for full coverage. The texture was soft, a little dusty in the pan, but it applied evenly, built up easily, and blended out without issue. This shade wore well for eight hours on me before starting to fade visibly.

Colour Pop Copy Cat Pressed Powder Shadow

Colour Pop Copy Cat Pressed Powder ShadowColour Pop Copy Cat Pressed Powder Shadow

Copy Cat

Copy Cat is a muted, peachy-orange with strong, warm golden undertones and a matte finish. The pigmentation was nearly opaque in a single layer, which applied evenly and blended out easily along the edges. The texture was soft, velvety, and smooth to the touch with a touch of powderiness in the pan. It stayed on well for eight hours on me before I noticed signs of fading.

Colour Pop Pass It On Pressed Powder Shadow

Colour Pop Pass It On Pressed Powder ShadowColour Pop Pass It On Pressed Powder Shadow

Pass It On

Pass It On is a muted, medium-dark orange with warm, brownish undertones and a matte finish. The eyeshadow had nearly full color coverage, which applied evenly and smoothly on my skin, while the pigmentation built up to full coverage with a second layer. The texture was soft, smooth, and velvety without being powdery or prone to fallout. This shade lasted nicely for eight hours on me before there was visible fading.

Colour Pop Bad Guy Pressed Powder Pigment

Colour Pop Bad Guy Pressed Powder PigmentColour Pop Bad Guy Pressed Powder Pigment

Bad Guy

Bad Guy is a deep red with subtle, warm undertones and a matte finish. It had rich color coverage in a single layer, which applied evenly to bare skin and blended out easily along the edges without the rest of the application losing coverage or intensity.

The consistency felt soft, lightly dusty in the pan, but it wasn’t prone to fallout during application. I’d recommend using a lighter hand initially and adding more pressure as necessary, as the pigmentation stretched out a lot. It wore well for eight and a half hours on me before fading noticeably.

Duh is a pale gold glitter with a mix of particle sizes and depths; the smaller glitter particles seemed to be closer to white gold with some shift, while the larger hexagon-shaped glitter seemed to be more of a straightforward yellow gold. The glitter was suspended in a translucent base, so it was not fully opaque, which was on par with the formula.

The more emollient texture helped to keep most of the glitter together and ensured better-than-average adhesion to skin, but there can be light fallout depending on application method, blending, and time worn. As a cheek highlighter, there was half a dozen or so particles (per cheek) that traveled within an eight-hour wear time.

Please keep in mind that this product is not for use on the eye area; see this warning for more information. I, along with others, sound like broken records, but it would be great if ColourPop would keep their Pressed Glitters out of the eyeshadow palettes!

Not OK

Not OK is a rich, golden copper with strong, warm undertones and a lightly sparkled, metallic finish. The color coverage was opaque in a single layer, which applied smoothly and evenly on my lid. The consistency was lightly creamy, not too dense nor too loosely-pressed in the pan, so it was easy to work with, blended out easily, and didn’t have issues with fall out. It lasted well for eight hours before creasing slightly on me.

Ditchin’ U

Ditchin’ U is a bright, medium copper with strong, warm orange undertones and a sparkling, metallic finish. It had a creamier, smooth texture that felt almost like a cream-to-powder formula based on the amount of slip present in the pan.

A single application of the eyeshadow yielded opaque color payoff in one go, which adhered evenly to bare skin and blended out fairly well along the edges. I’ve noticed that the more emollient (but powder!) formulas can show some translucency when they’re spread out along an area, which this one did a bit. I like using flat, synthetic brushes for application and subtle diffusing to minimize unnecessary movement. This shade stayed on nicely for eight and a half hours with slight fallout over time.

Colour Pop In Bold Pressed Powder Shadow

Colour Pop In Bold Pressed Powder ShadowColour Pop In Bold Pressed Powder Shadow

In Bold

In Bold is a medium brown with subtle, warm undertones and a semi-matte finish. It had barley-there multi-colored shimmer over a more matte finish, so it functioned like a matte would in practice as it was hard to see any shimmering effect in person.

The texture was soft, thin without being too dry or difficult to blend out, and sat well on bare skin. It had opaque color coverage in a single layer, which lasted well for eight hours before showing signs of fading.

TTYN

TTYN is a medium-dark copper with warm, rusty red undertones and a metallic sheen. The texture felt more emollient, almost too slippery, and it worked better with flat, synthetic brushes or fingertips to ensure even coverage. Fluffier brushes seemed to push the product out a little too much, which created unevenness. It had opaque pigmentation that stayed on well for eight hours before creasing slightly on me.

Colour Pop Ms. Brightside Pressed Powder Pigment

Colour Pop Ms. Brightside Pressed Powder PigmentColour Pop Ms. Brightside Pressed Powder Pigment

Ms. Brightside

Ms. Brightside is a meidum-dark, reddish-burgundy with subtle, warm undertones and a matte finish. It had nearly opaque color coverage achieved in one layer, and the eyeshadow adhered evenly to bare skin and blended out with little effort along the edges. The texture was soft, a smidgen on the drier side, but it didn’t seem to impact the application or wear. It stayed on well for eight and a half hours on me before I noticed some fading.

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